{"id":1712,"date":"2009-08-08T19:51:36","date_gmt":"2009-08-09T01:51:36","guid":{"rendered":"http:\/\/artorg.info\/?page_id=1712"},"modified":"2009-10-10T16:40:17","modified_gmt":"2009-10-10T21:40:17","slug":"lilla-johnson","status":"publish","type":"page","link":"https:\/\/artorg.info\/?page_id=1712","title":{"rendered":"Lilla Johnson"},"content":{"rendered":"<div class=\"c1\">\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/artorg.info\/wp-content\/files\/title-the-20-views.jpg\" alt=\"Twenty Views of Dundas\" title=\"Twenty Views of Dundas\" width=\"480\" height=\"28\" class=\"alignnone size-full wp-image-1804\" srcset=\"https:\/\/artorg.info\/wp-content\/files\/title-the-20-views.jpg 480w, https:\/\/artorg.info\/wp-content\/files\/title-the-20-views-300x17.jpg 300w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/artorg.info\/wp-content\/files\/20-v-lr-lilla.jpg\" alt=\"Lilla Johnson: Twenty Views of Dundas\" title=\"Lilla Johnson: Twenty Views of Dundas\" width=\"480\" height=\"364\" class=\"alignnone size-full wp-image-1713\" srcset=\"https:\/\/artorg.info\/wp-content\/files\/20-v-lr-lilla.jpg 480w, https:\/\/artorg.info\/wp-content\/files\/20-v-lr-lilla-300x227.jpg 300w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><br \/>\n<strong>Title:<\/strong><br \/>\nChance Meeting in North Africa<br \/>\n<strong>Artist Statement:<\/strong><br \/>\nThis work uses reductive lithography elements of the original photo and new hand-drawn elements come together on a 200 pound block of limestone probably mined in Germany years ago.  I like the way Jasper Johns uses the images of flags in his prints.  They can seem faded, sometimes even reduced.  Youth and idealism go hand in hand, but today idealism is not always easy to maintain.\n<\/div>\n<div class=\"c2\">\n<h2>Artist<\/h2>\n<ul>\n<li>Lilla Johnson<\/li>\n<\/ul>\n<h2>Projects<\/h2>\n<ul>\n<li><a href=\"https:\/\/artorg.info\/?page_id=296\">Twenty Views of Dundas<\/a><\/li>\n<\/ul>\n<\/div>\n<div class=\"c3\">\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/artorg.info\/wp-content\/files\/Liila-Johnson.jpg\" alt=\"Lilla Johnson\" title=\"Lilla Johnson\" width=\"240\" height=\"174\" class=\"alignnone size-full wp-image-1714\" \/>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Title: Chance Meeting in North Africa Artist Statement: This work [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"parent":896,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"tags":[],"class_list":["post-1712","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/PyxFx-rC","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/pages\/1712","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/artorg.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1712"}],"version-history":[{"count":6,"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/pages\/1712\/revisions"}],"predecessor-version":[{"id":3282,"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/pages\/1712\/revisions\/3282"}],"up":[{"embeddable":true,"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/pages\/896"}],"wp:attachment":[{"href":"https:\/\/artorg.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1712"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artorg.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1712"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}