{"id":233,"date":"2006-11-07T17:50:09","date_gmt":"2006-11-07T23:50:09","guid":{"rendered":"http:\/\/artorg.info\/?p=233"},"modified":"2009-10-27T01:14:43","modified_gmt":"2009-10-27T06:14:43","slug":"juanita-garciagodoy-closes-the-days-of-the-dead","status":"publish","type":"post","link":"https:\/\/artorg.info\/?p=233","title":{"rendered":"Juanita Garciagodoy Closes the Days of the Dead"},"content":{"rendered":"<p><img decoding=\"async\" id=\"image234\" height=96 alt=\"Juanitas Book\" src=\"https:\/\/artorg.info\/wp-content\/files\/c59031.jpg\" \/><\/p>\n<p>[See the <a href=\"https:\/\/artorg.info\/?page_id=3371\">video of Juanita Garciagodoy&#8217;s talk here<\/a>]  &#8220;Reading calaveras, pushing limits\u201d is a slide lecture and discussion to be held this Wednesday at <a href=\"https:\/\/artorg.info\/?page_id=59\">ArtOrg Moving Walls Gallery<\/a> at 7:30 pm.<\/p>\n<p>Juanita Garciagodoy will interpret several calaveras created by popular artists in Mexico City for Days of the Dead. These ephemeral works, of which there are fewer each year, often reveal some details of their worldview in a painting or sculpture that will only be exhibited for a few weeks. While most passersby may not do more than glance at the work or admire its aesthetic appeal, a close reading may disclose their creators\u2019 national, economic, or sexual politics, and show they are sometimes pushing the limits of bourgeois \u201cgood\u201d taste.<\/p>\n<p>Juanita is Professor at Macalester College in St. Paul, and is the author of the book<br \/>\n<a href=\"http:\/\/www.upcolorado.com\/bookdetail.asp?isbn=0-87081-590-3\" class=\"broken_link\">Digging the Days of the Dead<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[See the video of Juanita Garciagodoy&#8217;s talk here] &#8220;Reading calaveras, [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-233","post","type-post","status-publish","format-standard","hentry","category-general"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pyxFx-3L","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/posts\/233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/artorg.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=233"}],"version-history":[{"count":1,"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/posts\/233\/revisions"}],"predecessor-version":[{"id":3527,"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/posts\/233\/revisions\/3527"}],"wp:attachment":[{"href":"https:\/\/artorg.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artorg.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artorg.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}