{"id":8395,"date":"2013-03-15T13:17:16","date_gmt":"2013-03-15T18:17:16","guid":{"rendered":"http:\/\/artorg.info\/?p=8395"},"modified":"2014-03-11T13:23:58","modified_gmt":"2014-03-11T18:23:58","slug":"the-cgtn-sew-what","status":"publish","type":"post","link":"https:\/\/artorg.info\/?p=8395","title":{"rendered":"The CGTN: Sew What?"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/artorg.info\/wp-content\/files\/11-x-25-final1.jpg\" alt=\"11 x 25 final\" width=\"480\" height=\"209\" class=\"alignnone size-full wp-image-8396\" srcset=\"https:\/\/artorg.info\/wp-content\/files\/11-x-25-final1.jpg 480w, https:\/\/artorg.info\/wp-content\/files\/11-x-25-final1-300x130.jpg 300w, https:\/\/artorg.info\/wp-content\/files\/11-x-25-final1-344x150.jpg 344w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/p>\n<p>Thanks to Carleton College for providing and Minoru Yamasaki for designing the West Gymnasium, where ArtOrg performed some initial work to configure our project called the \u201c<a href=\"https:\/\/artorg.info\/?page_id=6496\">Children\u2019s Gift to Norway<\/a>\u201d. Representing the art from over 1500 kids and adults, and overall design from historic Norwegian knitting patterns, we hope to send the project to Norway next year. (Tom Roster took some wonderful photos of the work, which subsequently appeared in full-page size in the <a href=\"https:\/\/artorg.info\/?page_id=8102\">Public Art Review<\/a>, issue 48.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thanks to Carleton College for providing and Minoru Yamasaki for [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-8395","post","type-post","status-publish","format-standard","hentry","category-general"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pyxFx-2bp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/posts\/8395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/artorg.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8395"}],"version-history":[{"count":2,"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/posts\/8395\/revisions"}],"predecessor-version":[{"id":8398,"href":"https:\/\/artorg.info\/index.php?rest_route=\/wp\/v2\/posts\/8395\/revisions\/8398"}],"wp:attachment":[{"href":"https:\/\/artorg.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artorg.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8395"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artorg.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}